That wondrous baguette

French BaguettesToday wasn’t the first time I’ve done it… bought a fresh baguette, still warm from the local boulangerie, cut a bit off ‘just to try it’, smeared it well with butter and, half-an-hour later, looked at the pile of crumbs on the worktop where the baguette used to be. There’s something about genuine French baguettes that brings out the food devil in me.

If I asked you to name the five most iconic foods of France, I could virtually guarantee you’d include the humble baguette. They’re one of the most instantly recognisable foods around the world, and usually the best part of any trip to France. They’re also so dangerously tasty that you might like to do what I do and buy an extra one, since you’re probably going to eat one on the walk home from the boulangerie!

It might surprise you to know that, until just a few years ago, boulangers in Paris had to stagger their summer vacations. The idea of all of the bakeries closing at the same time is the stuff of nightmares to your average French citizen. So, the law stated that each year, half the bakers could go on vacation in July, and the other half in August. French people take their bread VERY seriously, and the baguette is the king of the baker’s jungle.

The baguette’s shape comes from a one hundred-year-old law to reduce working hours. To help keep boulangers from overworking (as if they would, in France!), in 1920 the government passed a law forbidding them from starting their shifts before 4am, or from working past 10pm at night.

But dough takes time to rise, and bread takes time to bake, so if you’re only allowed to start your day at 4am, what do you do? You create the baguette! The long, thin shape of the loaf exposes as much of the dough to heat as possible, meaning it bakes faster. This way, your bakery can pump out the same number of loaves in less time. Now that is French ingenuity at its finest.

There are even strict laws about the length and weight of a baguette! If it’s not 55cm-65cm long and doesn’t weight 250g-300g it’s doesn’t qualify to be called a baguette. Also, the boulangers are only allowed to use four ingredients – flour, yeast, salt, and water. Naturally, they can vary the quantities of each, and they can use different flours to achieve different tastes. And if they are claiming to be an ‘artesanal bakery’ they must sell their baguettes in the same place where they bake them.

France is even trying to get the baguette recognised by UNESCO as part of their cultural heritage. The French people love bread, dammit. In fact, one of my early memories after I moved to France to be with Marie-Danielle, was of getting up on a Sunday morning and going to a boulangerie in the small village where we were staying. Imagine my surprise when I saw a long queue outside the shop. It was as though the whole village had turned out to buy bread.

French BaguettesIn 1900, the average French person ate more than three baguettes every day. By 1970, that number had fallen to just one baguette per day. And these days, people eat just half a baguette on a daily basis. Now, half a loaf of bread every day might still seem like a lot of white bread to consume. But for the French of the early 20th century, that would be heresy!

The baguette is probably safe from ever dying out, though. It’s one of the most loved and easily recognisable breads from around the world, and still at the top of every traveller’s bucket list when they go to France! Just one small tip; ask for ‘une baguette tradition’, or simply ‘une tradition’ and you’ll get a nice country baguette, full of taste.

Jasmine’s Journey

If you’ve followed this blog, you’ll be aware that I mix personal interest with purely food and culinary content. One of my hobbies is writing and my sixteenth book called ‘Jasmine’s Journey’ has been released. The story is the third in ‘The French Collection’ series. Here’s a bit about it

Jasmine’s Journey

Jasmine's JourneyJasmine Guichard didn’t want Father Barbier touching her. She’s a plucky eight-year-old and she makes a run for it, but finds herself deep under the streets of Paris and lost in a maze of dark tunnels. But for a chance glimpse of her whilst visiting the catacombs, Harry and Tristan would have been none the wiser. Yet what can they do about it? They are eventually helped in their efforts by a young nun who is not at all what she seems. There’s more going on behind the closed doors of the Daughters of Charity of Saint Isabelle of France than meets the eye – a lot more.

Meanwhile, The Vicar is in Paris to complete a contract to terminate a paedophile. His chance meeting with Harry and Tristan could be the trigger they need to dig deeper into Jasmine’s disappearance. D.S. Robbie Allen and D.C. Benedict Blewett have been dispatched from Liverpool to find The Vicar before he strikes again.

Who will win the race?

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JASMINE’S JOURNEY

Jasmine continued downwards, moving her torch from side to side and up and down. She had discovered that thirty seconds winding the handle gave her about 15 minutes of light. The younf girl shivered with the cold. She was wearing only a light summer tunic and the temperature down here seemed to be no more than about 10°C or 12°C. The passageway twisted and turned. The floor of the passage was limestone, the same as the walls, but loose stones and lumps of rock had fallen over time and walking wasn’t easy. In places the roof of the passage was over four metres high. Elsewhere it dropped down to not much more than one metre and Jasmine had to bend low to pass through. It was, she felt, like being in an Indiana Jones movie. Any minute now, she expected to see a great, unstoppable ball of stone rolling down the passage towards her.

And then the passage opened up and she found herself in a cavern that was so vast, her torch beam couldn’t reach the furthest walls. She walked on, touching the walls and examining the marks of tools in the stone. Here and there on the walls were men’s initials, like ancient street tags. It was clear that the space had been hacked out of the rock: there was nothing natural about it. The roof was, she estimated, about five metres high, and several huge columns of limestone had been left intact to support the weight of rock above. As she approached one of the walls, she could see that enormous lumps of limestone had fallen to the floor. There would be a moment in the future when the crushing weight above would collapse the whole gallery, filling it with millions of tons of bedrock. She hoped it wouldn’t happen in the next few minutes.

LOST IN THE CATACOMBS


Walking round the periphery, her torch illuminated several incoming passages, radiating out all directions. And then Jasmine spotted the bent and rusted remains of a narrow train track. This time, her mind filled with images from Indiana Jones and the Temple of Doom when Indy, Shorty, and Willie were involved in a mine cart chase to escape the temple. But it occurred to her that in reality this is how the miners would have transported the stone to the surface. Following the tracks would maybe lead her to an exit. If the men who created these caves tunnelled their way in, then there had to be a way out.

But what if there wasn’t? What would she do if the tunnel went nowhere? Jasmine felt the panic begin to rise again like a cluster of weasel teeth in her abdomen. She sensed the tension grow in her face and limbs. Jasmine closed her eyes, her mind replaying her panic attack when the lights first went out. She didn’t want it to happen again, but couldn’t stop what was happening to her in this wretched blackness. Her breathing became more rapid, more shallow. It was like her thoughts were living in a personal hurricane of fear. She gulped. Anything to stop the primal urge to just flee and try to get away from the darkness that surrounded her and suffocated her.

Frozen to the spot, large salty tears darkened her face. She wasn’t crying; they simply rolled out of her closed eyes unbidden. There she stayed, unaware of the passing of time until she realised that the feelings of panic had subsided. She opened her eyes. Though she could still hear each of her breaths, rasping just the same as when she had the flu, she’d made it. She was back in control. Almost.

Book cover design by Bruno Cavellec, Copyright © Bruno Cavellec 2019.
Image used and published according to the licence granted by the artist